When you browse through websites where travelers post their reviews about hotels where they spent their vacation, you will encounter a lot of complaints about unwanted noises from an adjacent room or the hallway. It can be really frustrating because how can you sleep with that annoying noise from next door? If a hotel has that as an issue, then the problem most probably lies in its noise isolation or acoustics.
Are you an architect designing a hotel? Please do the hotel’s future patrons a huge favor and incorporate acoustics into the hotel’s design. There are three ways to build hotels with good noise control between rooms.
1. Cavity absorption
Ensuring noise insulation between hotel rooms can be as simple as filling the cavities in walls with fiberglass batt insulation. This construction method reduces the effect of sounds that reach the wall cavity by passing through holes and other construction flaws.
2. Use of lightweight metal studs
Another simple noise insulation method in building hotels is using metal studs rather than wood studs, which are heavier. When you construct a hotel with lightweight metal studs, the vibration path between wall assemblies is reduced, resulting in noise insulation.
3. Adding more mass between adjacent rooms
Usually, noise control can be improved by adding mass between guest rooms. Here are some of the methods that are commonly used to add mass:
Installation of acoustical vinyl sheets
Adding layers of gypsum wall board
Mixing various kinds of materials for walls
Adding layers of acoustical gypsum board
For these construction methods, you can improve the chances of getting better noise control for the hotel you are designing by enlisting the help of an acoustical engineering and consultancy firm such as AEP Acoustics that has the expertise and experience to come up with cost-effective solutions and technical specifications for your noise control projects.
Acoustics has to be included in the considerations when designing a building or structure. It has to be well-coordinated and planned to make sure that the sound does not end up distorted or has missing parts. In particular, the architectural design must be able to keep sound waves from overlapping to prevent sound distortion.
To put it simply, the perfect architectural acoustics relies heavily on how a structure is designed. This way, the audience in a music hall or theater, for example, can enjoy crystal-clear sounds and a great aural experience. Here are some tips to keep in mind when designing a space:
Steer clear of barriers to sound. Any object that gets in the way of a sound wave is capable of blocking high-frequency sounds.
Remove echoes if needed. Echoes are unpleasant and distract listeners from the original sound. When sound travels within 30 milliseconds of each other, it does not lead to echoes. However, when sound travels beyond that speed, then echoes will be heard.
Be wary of sound reflections. On straight surfaces, sounds are reflected back into the central space. This can badly affect the clarity of sound.
Consider getting distributed sound systems. Such a technology is ideal for listening areas that are out of the way. Because these sound systems run with an electronic delay, they help synchronize sounds.
Use the right acoustical treatment. Make sure that your chosen treatment is made of a material that can absorb the right sound frequencies.
Make sure that other systems in the building do not obstruct good acoustics. Your noise control efforts will amount to nothing if, for instance, the building’s air-conditioning system produces a loud noise.
These are the six basic tips to observe when designing a building for architectural acoustics. The key to great acoustics is a well-thought-out design.
Choosing a consultancy firm for the noise control requirements of a building is a serious matter. A huge amount of money would go down the drain if you are not meticulous and careful in picking one from among the many choices out there.
To find the best partner for the acoustics aspect of your construction project, you have to consider these qualities when evaluating your prospects:
How long has it been in the business? Can it survive long enough to complete your project and be available to fine-tune any issue even when the project is over? Do your research and find out if the company has grown over the years. This will give you the assurance you’re not dealing with a fly-by-night firm who is just after
Good credit standing
This quality is extremely important because you do not want to entrust your noise control project and money to an acoustical consultancy that is on the brink of bankruptcy. Again, do your research and make sure that you will deal only with a consultancy firm that has a good credit history and financial health.
Extensive experience in acoustics
Inexperience has no place in the business of acoustics because doing it right leaves no room for mistakes and failures. Go with an experienced consultant with 10 or more years’ worth of industry know-how and skills.
Has worked on the same project as yours
Choose a firm that has specifically worked on the same project as yours. For example, if you are building a school auditorium, an acoustics consultancy that has worked on noise control for that kind of construction knows what the technicalities and best practices for that particular project.
Be thorough and wise when screening the potential acoustic experts to choose. When it comes to that, AEP Acoustics—with its vast experience, good credit history, and longevity in the business—is worth considering.